{"id":597,"date":"2016-03-22T15:20:03","date_gmt":"2016-03-22T15:20:03","guid":{"rendered":"http:\/\/gsfineart.com\/gallery-news\/?p=597"},"modified":"2016-03-22T15:20:03","modified_gmt":"2016-03-22T15:20:03","slug":"wow-work-of-the-week-ed-ruscha-cash-for-tools-2","status":"publish","type":"post","link":"https:\/\/gsfineart.com\/gallery-news\/wow\/wow-work-of-the-week-ed-ruscha-cash-for-tools-2","title":{"rendered":"WOW &#8211; Work Of the Week &#8211; Ed Ruscha &#8220;Cash For Tools 2&#8221;"},"content":{"rendered":"<table class=\" cke_show_border\" border=\"0\" cellspacing=\"1\" cellpadding=\"1\" align=\"center\">\n<tbody>\n<tr>\n<td colspan=\"3\"><a href=\"http:\/\/gsfineart.com\/artists\/ed-ruscha\/cash-for-tools-1-from-rusty-signs\/\" data-cke-saved-href=\"http:\/\/gsfineart.com\/artists\/ed-ruscha\/cash-for-tools-1-from-rusty-signs\/\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" title=\"Cash for Tools 2\" src=\"https:\/\/67aba17f1a-custmedia.vresp.com\/a065c73206\/Cash%20for%20Tools%202.jpg\" alt=\"Cash for Tools 2\" width=\"600\" height=\"273\" align=\"none\" border=\"0\" hspace=\"0\" vspace=\"0\" data-cke-saved-src=\"https:\/\/67aba17f1a-custmedia.vresp.com\/a065c73206\/Cash%20for%20Tools%202.jpg\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td colspan=\"3\"><\/td>\n<\/tr>\n<tr>\n<td colspan=\"3\">\n<p class=\"p7\"><span class=\"s1\"><b>ED RUSCHA<\/b><\/span><br \/>\n<em>Cash For Tools 2<\/em>, from<em> Rusty Signs<\/em><br \/>\n2014<br \/>\nMixograph on handmade paper<br \/>\n24 x 24 in.<br \/>\nEdition of 50<br \/>\n<span class=\"s1\">Pencil signed, dated and numbered<\/span><\/p>\n<p><span class=\"s1\"><b>About This Work:<\/b><\/span><\/p>\n<div>\n<p class=\"p1\" style=\"text-align: justify;\"><span class=\"s1\">Ed Ruscha is a well-known American artist who achieved recognition for artworks incorporating words and phrases, all influenced by the deadpan irreverence of the Pop Art movement. Indeed his textual art can be linked with the Pop Art movement but also with the Beat Generation as well.<\/span><\/p>\n<p class=\"p1\" style=\"text-align: justify;\"><span class=\"s1\">During the Cold War era, the rise of commercial advertising was a dominant force in American life. Consequently, the increasing importance of graphic design, the popularity of Hollywood and American cinema as well as the lights and the landscapes of the West Coast, provided the backdrop against which Ruscha developed his highly original iconography.<\/span><\/p>\n<p class=\"p1\" style=\"text-align: justify;\"><span class=\"s1\">Since the early sixties, Ed Ruscha has wittily explored language by channeling words and the act of communication to represent American culture. Language, in particular the written word, has pervaded the visual arts, but no other artist has the command over words as Ruscha. His works are not to be understood as pictures\u00a0of words, but instead words treated as visual constructs. His idea plays into the very essence of Pop Art.<\/span><\/p>\n<p class=\"p1\" style=\"text-align: justify;\"><span class=\"s1\"><i>Cash For Tools 2 <\/i>is part of the <i>Rusty Signs<\/i>, series in which Ruscha uses words, that he considers as \u201c<i>neglected and forgotten signs from neglected and forgotten landscapes<\/i>\u201d. These <i>Rusty Signs<\/i> are reproduced in uncanny detail that blurs the line between the fictitious and the real.<\/span><\/p>\n<p class=\"p2\" style=\"text-align: justify;\"><span class=\"s1\">This artwork, as well as the whole series, is further expression of a consistent theme that runs throughout his work: the passage of time. We are confronted with the physical effect of time upon them, a blunt reminder of its inescapability, even on steel.<\/span><\/p>\n<p class=\"p3\" style=\"text-align: justify;\"><span class=\"s1\">Once again filtered through the language of common American objects, these prints appear to be rusted signs that read \u201cDEAD END,\u201d \u201cCASH FOR TOOLS,\u201d and \u201cFOR SALE 17 ACRES.\u201d<\/span><\/p>\n<p class=\"p3\" style=\"text-align: justify;\"><span class=\"s1\">Ruscha has chosen to produce multiple variations of these signs, giving the impression that they have been weathered by time in varying ways, as if they came from different locations or were subjected to a different set of circumstances. For example there are two versions of <i>Cash For Tools<\/i> and <i>Cash For Tools 2<\/i> is more ruined and consumed than <i>Cash For Tools 1<\/i>. Some have gunshots and some are missing sections, while others appear to have acquired thick layers of rust and grime. In this way, each piece of the series seems to contain an independent story, their histories having literally formed their present state.\u00a0<\/span><\/p>\n<p class=\"p3\" style=\"text-align: justify;\"><span class=\"s1\">The <i>Rusty Signs<\/i> series also marks a transformation of some of Ruscha\u2019s aesthetic concerns; having painted and photographed signs and signage throughout his career, works such as <i>Cash For Tools 2<\/i> signify the first time in which he is not merely representing the image of the sign, but actually recreating the sign itself. We no longer see a fictionalized representation but we actually see the sign itself, and its physicality is a part of its essence. At the same time, having been removed from context, they still share the sense of disconnection that permeates in many of his depictions of signs.<\/span><\/p>\n<p class=\"p3\" style=\"text-align: justify;\"><span class=\"s1\">Ruscha asks us to consider these components of visual culture as independent objects, as if their introduction into the world was not merely an accident or result of inevitable forces, but an act of creation, a work of art.<\/span><\/p>\n<\/div>\n<div>\n<p class=\"p3\"><span class=\"s1\">Other works by this artist:<\/span><\/p>\n<\/div>\n<table class=\" cke_show_border\" border=\"0\" cellspacing=\"1\" cellpadding=\"1\" align=\"center\">\n<tbody>\n<tr>\n<td>&nbsp;<\/p>\n<div style=\"width: 379px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/gsfineart.com\/artists\/ed-ruscha\/for-sale-17-acres-from-rusty-signs\/\"><img decoding=\"async\" loading=\"lazy\" class=\"\" title=\"For Sale \" src=\"https:\/\/67aba17f1a-custmedia.vresp.com\/a065c73206\/For%20Sale%20.jpg\" alt=\"For Sale \" width=\"369\" height=\"368\" align=\"none\" border=\"0\" hspace=\"0\" vspace=\"0\" data-cke-saved-src=\"https:\/\/67aba17f1a-custmedia.vresp.com\/a065c73206\/For%20Sale%20.jpg\" \/><\/a><p class=\"wp-caption-text\">\u00a0 For Sale 17 Acres, by Ed Ruscha \u00a0<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_628\" style=\"width: 329px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/gsfineart.com\/artists\/ed-ruscha\/stranger\/\"><img aria-describedby=\"caption-attachment-628\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-628 \" src=\"https:\/\/gsfineart.com\/gallery-news\/wp-content\/uploads\/2016\/03\/Stranger-.jpg\" alt=\"Stranger\" width=\"319\" height=\"417\" \/><\/a><p id=\"caption-attachment-628\" class=\"wp-caption-text\">Stranger, by Ed Ruscha<\/p><\/div>\n<p><a href=\"http:\/\/gsfineart.com\/artists\/ed-ruscha\/for-sale-17-acres-from-rusty-signs\/\" data-cke-saved-href=\"http:\/\/gsfineart.com\/artists\/ed-ruscha\/for-sale-17-acres-from-rusty-signs\/\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/a><\/td>\n<td>&nbsp;<\/p>\n<p>&nbsp;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>ED RUSCHA Cash For Tools 2, from Rusty Signs 2014 Mixograph on handmade paper 24 x 24 in. Edition of 50 Pencil signed, dated and numbered About This Work: Ed Ruscha is a well-known American artist who achieved recognition for &hellip; <a href=\"https:\/\/gsfineart.com\/gallery-news\/wow\/wow-work-of-the-week-ed-ruscha-cash-for-tools-2\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":598,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[291,16,79,292,294,14,288,64,287,289,8,83,15,102,73,46,47,65,295,293,290,17],"acf":[],"_links":{"self":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts\/597"}],"collection":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/comments?post=597"}],"version-history":[{"count":6,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts\/597\/revisions"}],"predecessor-version":[{"id":629,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts\/597\/revisions\/629"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/media\/598"}],"wp:attachment":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/media?parent=597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/categories?post=597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/tags?post=597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}