{"id":467,"date":"2015-10-19T20:45:08","date_gmt":"2015-10-19T20:45:08","guid":{"rendered":"http:\/\/gsfineart.com\/gallery-news\/?p=467"},"modified":"2015-10-19T20:45:08","modified_gmt":"2015-10-19T20:45:08","slug":"wow-work-of-the-week-clandestine-culture-i-came-back-100515","status":"publish","type":"post","link":"https:\/\/gsfineart.com\/gallery-news\/wow\/wow-work-of-the-week-clandestine-culture-i-came-back-100515","title":{"rendered":"WOW! \u2013 Work of the Week \u2013 Clandestine Culture \u201cI Came Back\u201d 10\/05\/15"},"content":{"rendered":"<p style=\"font-style: inherit; color: inherit;\"><a href=\"http:\/\/gsfineart.com\/artists\/clandestine-culture\/i-came-back\/\"><strong>Clandestine Culture<\/strong>,\u00a0I\u00a0Came Back<\/a><\/p>\n<p><a href=\"https:\/\/gsfineart.com\/gallery-news\/wp-content\/uploads\/2015\/10\/I-Came-Back-1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-468 size-full\" src=\"https:\/\/gsfineart.com\/gallery-news\/wp-content\/uploads\/2015\/10\/I-Came-Back-1.jpg\" alt=\"\" width=\"582\" height=\"949\" srcset=\"https:\/\/gsfineart.com\/gallery-news\/wp-content\/uploads\/2015\/10\/I-Came-Back-1.jpg 582w, https:\/\/gsfineart.com\/gallery-news\/wp-content\/uploads\/2015\/10\/I-Came-Back-1-184x300.jpg 184w\" sizes=\"(max-width: 582px) 100vw, 582px\" \/><\/a><\/p>\n<p style=\"font-style: inherit;\"><strong>Clandestine Culture<\/strong><br \/>\n<em>\u044f \u0432\u0435\u0440\u043d\u0443\u043b\u0441\u044f, <em>(I CAME BACK)<\/em><\/em><br \/>\n2014<br \/>\nAcrylic on Wood<br \/>\n81 x 48<br \/>\nSigned on verso<\/p>\n<p style=\"font-style: inherit;\">About This Work:<\/p>\n<p><span class=\"s1\">This work titled &#8220;I Came Back&#8221; or\u00a0 &#8220;<\/span><span class=\"s2\">\u044f \u0432\u0435\u0440\u043d\u0443\u043b\u0441\u044f&#8221; <\/span><span class=\"s3\">(in Russian), by Miami Street Artist CLANDESTINE CULTURE,<\/span><span class=\"s3\">could not be more relevant today then ever before.\u00a0 &#8220;For those 25 years of age or younger, the Soviet Union symbol of the Hammer and Sickle, mean nothing.\u00a0 There is an age group that has never seen that symbol, or even knew of a Soviet Union&#8221;\u00a0 says the artist.<\/span><\/p>\n<p class=\"p2\"><span class=\"s3\">What this work represents is exactly what the artist wants that age group, 25 years or younger, to understand.\u00a0 That message is that history repeats itself.\u00a0 Painted in 2014, during Russia&#8217;s invasion into Crimea, and aggressive military intervention in Ukraine, this painting forewarns the world of what is to come.\u00a0 Russian President Putin flexes his political muscles, and lets the world know that he, and Russia are coming back.\u00a0 They are not the weakened Russia, that perhaps the world sees them as.<\/span><\/p>\n<p class=\"p2\"><span class=\"s3\">Fast forward to 2015, and we see President Putin is at it again, aligning himself with Syria, and positioning his stronghold in the Middle East.\u00a0 Showing that Russia is still a &#8220;super power&#8221;, and standing up to America<\/span><\/p>\n<p class=\"p2\"><span class=\"s3\">Painted in the old Soviet Union colors of red and gold, this painting is rather simple, but very powerful in its message.\u00a0 Depicting the iconic Hammer and Sickle, with star and olive branches as the main focal point, they symbol says it all. The words &#8220;I Came back&#8221; written in Russian lets us know, that this is a message about the\u00a0present, and a warning about the future. \u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s3\">This is exactly what street art intends to do.\u00a0 Historically, street art has always contained a social, a political, and an environmental message.\u00a0 The art challenges the viewer to react not only to the artwork, but to the substantive issues, and surroundings that is being discussed. \u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s3\">Make no mistake, Street Art is not just pretty paintings on a wall.\u00a0 That would be simply called a mural.\u00a0 Street Art is much more important than that.\u00a0 Street Art has substance, context, and a concept.\u00a0 Whether it is Haring talking about AIDS, or Apartheid, Basquiat discussing issues of racism, drugs, and struggle of daily life, or Banksy&#8217;s witty paradoxical installations and wall drawings, Street Art has become a depiction and a reaction to the world most important issues, and struggles.\u00a0 Its &#8220;in your face&#8221; style, is arguably the most reactionary art movement that the art world has yet to witness.<\/span><\/p>\n<p class=\"p1\"><span class=\"s3\">Never before has an art movement, been so literal, and purposeful.\u00a0 Like his predecessors Haring and Basquiat, and his contemporaries Banksy and\u00a0 Shepard Fairey, CLANDESTINE CULTURE focuses on the world&#8217;s issues around us, and challenges us to acknowledge, question, and react.<\/span><\/p>\n<hr style=\"font-style: inherit;\" \/>\n<p style=\"font-style: inherit;\">About The Artist:<\/p>\n<p class=\"p1\" style=\"text-align: justify;\">The artist chooses to remain anonymous. \u00a0He hits the street with his face and head completely covered.\u00a0He believes that the painting and the message is more important then the artist. \u00a0He uses everyday people, images and words, to show that in the end, we are all part of one world wide culture&#8230;A CLANDESTINE CULTURE<\/p>\n<p class=\"p1\" style=\"text-align: justify;\"><a style=\"text-align: center;\" href=\"http:\/\/gsfineart.com\/contact-us\/\"><span class=\"s1\"><strong>For more information and price please contact the gallery at info@gsfineart.co<\/strong><\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Clandestine Culture,\u00a0I\u00a0Came Back Clandestine Culture \u044f \u0432\u0435\u0440\u043d\u0443\u043b\u0441\u044f, (I CAME BACK) 2014 Acrylic on Wood 81 x 48 Signed on verso About This Work: This work titled &#8220;I Came Back&#8221; or\u00a0 &#8220;\u044f \u0432\u0435\u0440\u043d\u0443\u043b\u0441\u044f&#8221; (in Russian), by Miami Street Artist CLANDESTINE CULTURE,could &hellip; <a href=\"https:\/\/gsfineart.com\/gallery-news\/wow\/wow-work-of-the-week-clandestine-culture-i-came-back-100515\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[16,79,37,14,84,25,21,8,83,9,22,15,102,47,217,12,13,88,222,17,89],"acf":[],"_links":{"self":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts\/467"}],"collection":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/comments?post=467"}],"version-history":[{"count":2,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts\/467\/revisions"}],"predecessor-version":[{"id":470,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts\/467\/revisions\/470"}],"wp:attachment":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/media?parent=467"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/categories?post=467"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/tags?post=467"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}