{"id":261,"date":"2015-01-26T22:10:33","date_gmt":"2015-01-26T22:10:33","guid":{"rendered":"http:\/\/gsfineart.com\/gallery-news\/?p=261"},"modified":"2015-04-02T09:37:38","modified_gmt":"2015-04-02T09:37:38","slug":"wow-keith-haring-blueprint-drawing-15","status":"publish","type":"post","link":"https:\/\/gsfineart.com\/gallery-news\/wow\/wow-keith-haring-blueprint-drawing-15","title":{"rendered":"WOW! – Work of the Week"},"content":{"rendered":"

Keith Haring,\u00a0Blueprint Drawing #15<\/em><\/p>\n

\"Keith<\/a>

Keith Haring Blueprint Drawing #15 1990<\/p><\/div>\n

 <\/p>\n

Keith Haring
\nBlueprint Drawing #15
\n1990
\nSilkscreen
\n42 1\/2 x 47 in.
\nEdition of 33<\/p>\n

This piece is pencil signed and numbered.<\/p>\n

About This Work:<\/p>\n

There are many iconic works by Haring, however the\u00a0Blueprint<\/span>\u00a0Drawing<\/span>\u00a0series is the more narrative, where he talks about his life, his sexual preferences, how the world was infected and affected by the realization of mortality based on life choice and the alienation that occurred at the time. In a sense, this series was his autobiography and his outlook on the world around him.\u00a0 Thus, he created this series at the end of his life. It actually is the last series he signed before he passed. There are certain series that artists create where you see and feel them in their work. For Andy Warhol and Jasper Johns, you see the artist in their early works. However for Haring, \u00a0you really see him and get a sense of knowing him in his later work. This could be because he was approaching death at such a young age.<\/p>\n

\n

About Keith Haring:<\/p>\n

Keith Haring found a thriving alternative art community that was developing outside the gallery and museum system, in the downtown streets, the subways and spaces in clubs and former dance halls. Here he became friends with fellow artists Kenny Scharf and Jean-Michel Basquiat, as well as the musicians, performance artists and graffiti writers that comprised the burgeoning art community. Haring was swept up in the energy and spirit of this scene and began to organize and participate in exhibitions and performances at Club 57 and other alternative venues.<\/p>\n

Haring was able to push his own youthful impulses toward a singular kind of graphic expression based on the primacy of the line.\u00a0<\/span><\/p>\n

In 1980, Haring found a highly effective medium that allowed him to communicate with the wider audience he desired, when he noticed the unused advertising panels covered with matte black paper in a subway station. He began to create drawings in white chalk upon these blank paper panels throughout the subway system. Between 1980 and 1985, Haring produced hundreds of these public drawings in rapid rhythmic lines, sometimes creating as many as forty \u201csubway drawings\u201d in one day. This seamless flow of images became familiar to New York commuters, who often would stop to engage the artist when they encountered him at work. The subway became, as Haring said, a \u201claboratory\u201d for working out his ideas and experimenting with his simple lines.\u00a0<\/span><\/p>\n

Between 1980 and 1986, Haring achieved international recognition and participated in numerous group and solo exhibitions. His first solo exhibition in New York, held at the Tony Shafrazi Gallery in 1982, was immensely popular and received critical acclaim. During this period, he participated in highly renowned international survey exhibitions such as Documenta 7 in Kassel Germany, the S\u00e3o Paulo Biennial and the Whitney Biennial. Haring completed numerous public projects in the first half of the 80\u2019s.\u00a0<\/span><\/p>\n

Throughout his career, Haring devoted much of his time to public works, which often carried social messages. He produced more than 50 public artworks between 1982 and 1989, in dozens of cities around the world, many of which were created for charities, hospitals, children\u2019s day care centers and orphanages<\/span><\/p>\n

Haring was diagnosed with AIDS in 1988.\u00a0 Haring enlisted his imagery during the last years of his life to speak about his own illness and generate activism and awareness about AIDS.\u00a0<\/span><\/p>\n

During a brief but intense career that spanned the 1980s, Haring\u2019s work was featured in over 100 solo and group exhibitions.\u00a0 By expressing universal concepts of birth, death, love, sex and war, using a primacy of line and directness of message, Haring was able to attract a wide audience and assure the accessibility and staying power of his imagery, which has become a universally recognized visual language of the 20th century.<\/span><\/p>\n

Keith Haring died of AIDS related complications at the age of 31 on February 16, 1990.\u00a0<\/span><\/p>\n

Since his death, he has been the subject of several international retrospectives. The work of Keith Haring can be seen today in the exhibitions and collections of major museums around the world.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Keith Haring,\u00a0Blueprint Drawing #15   Keith Haring Blueprint Drawing #15 1990 Silkscreen 42 1\/2 x 47 in. Edition of 33 This piece is pencil signed and numbered. About This Work: There are many iconic works by Haring, however the\u00a0Blueprint\u00a0Drawing\u00a0series is … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[16,79,78,14,8,9,77,76,15,47,222,17],"acf":[],"_links":{"self":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts\/261"}],"collection":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/comments?post=261"}],"version-history":[{"count":5,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts\/261\/revisions"}],"predecessor-version":[{"id":343,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts\/261\/revisions\/343"}],"wp:attachment":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/media?parent=261"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/categories?post=261"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/tags?post=261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}