{"id":1080,"date":"2018-03-26T15:56:15","date_gmt":"2018-03-26T15:56:15","guid":{"rendered":"http:\/\/gsfineart.com\/gallery-news\/?p=1080"},"modified":"2018-03-26T15:56:15","modified_gmt":"2018-03-26T15:56:15","slug":"wow-work-of-the-week-roy-lichtenstein-forms-in-space","status":"publish","type":"post","link":"https:\/\/gsfineart.com\/gallery-news\/wow\/wow-work-of-the-week-roy-lichtenstein-forms-in-space","title":{"rendered":"WOW! \u2013 Work of the Week \u2013 Roy Lichtenstein – Forms in Space"},"content":{"rendered":"
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Roy Lichtenstein<\/div>\n
Forms in Space<\/div>\n
1985<\/div>\n
Screenprint on Rives BFK paper<\/div>\n
52 x 35 3\/4 in.<\/div>\n
Edition of 125<\/div>\n
Pencil signed and numbered<\/div>\n
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About the work:<\/strong><\/div>\n
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\u00a0\u201cI\u2019m interested in portraying a sort of antisensibility that pervades society,\u201d<\/div>\n
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Roy Lichtenstein was\u00a0a pop artist whose works, in a style derived from comic strips, portray the trivialization of culture endemic in contemporary American life. Using bright, strident colors and techniques borrowed from the printing industry, he ironically incorporates mass-produced emotions and objects into highly sophisticated references to art history<\/div>\n
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Although, in the early 1960s, Lichtenstein was often casually accused of merely copying his pictures from cartoons, his method involved some considerable alteration of the source images. The extent of those changes, and the artist’s rationale for introducing them, has long been central to discussions of his work, as it would seem to indicate whether he was interested above all in producing pleasing, artistic compositions, or in shocking his viewers with the garish impact of popular culture.<\/div>\n
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This week’s Work of the Week! WOW!<\/strong> is an image of one of the most iconic symbols of the world.\u00a0The American flag, to this day, carries a host of connotations and meanings that shift from individual to individual, making it the ideal subject for artists to interpret.<\/div>\n
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Jasper Johns was the first American artist to present viewers with the dichotomies embedded in the American flag, and over the years, others have followed suit, notably Roy Lichtenstein.<\/div>\n
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\u201cForms in Space\u201d by Lichtenstein\u2019s example of the American flag, that leaves open it\u2019s interpretation to the viewer.\u00a0Although it is\u00a0bears an obvious resemblance to the American flag, the artist has toyed subtly with its formal makeup, slanting and upping the number of stripes and inverting the colors used in the upper left corner, replacing the flag\u2019s iconic white stars with rows of simple blue ben-day dots placed against a white background. Despite these slight alterations, the blocks of uniform color and flat surface planes make the composition an easy one to take in at first glance, but the image could easily be part of a larger narrative.<\/div>\n
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It is clear that a statement is being made. While still expertly balanced in form and color, the elimination of certain details and addition of others are important in unifying Lichtenstein’s interpretation of the flag, providing it with formal structure. There remains, however, an element of agitation. The lines of the flag, usually horizontal are set at an angle; implying movement. When observing the work, an optical illusion occurs, and the flag seems to be stretching outward, expanding, inviting each of us to be more socially and politically aware.<\/div>\n
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Always experimenting with the boundaries of high and low art, this work exemplifies but also interrupts the fast paced consumption of the mass media imagery. The viewer is asked to to look closer and consider what is being represented.\u00a0The statement that life reflects art and art reflects life rings true when considering Lichtenstein’s use of the most powerful American symbol. His inspiration is drawn from the real, everyday world.<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Roy Lichtenstein Forms in Space 1985 Screenprint on Rives BFK paper 52 x 35 3\/4 in. Edition of 125 Pencil signed and numbered About the work: \u00a0\u201cI\u2019m interested in portraying a sort of antisensibility that pervades society,\u201d Roy Lichtenstein was\u00a0a … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[291,16,79,14,84,586,25,248,8,83,9,161,15,102,73,46,47,56,160,88,69,222],"acf":[],"_links":{"self":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts\/1080"}],"collection":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/comments?post=1080"}],"version-history":[{"count":1,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts\/1080\/revisions"}],"predecessor-version":[{"id":1082,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts\/1080\/revisions\/1082"}],"wp:attachment":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/media?parent=1080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/categories?post=1080"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/tags?post=1080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}