{"id":1021,"date":"2017-11-20T16:49:10","date_gmt":"2017-11-20T16:49:10","guid":{"rendered":"http:\/\/gsfineart.com\/gallery-news\/?p=1021"},"modified":"2017-11-20T16:51:28","modified_gmt":"2017-11-20T16:51:28","slug":"1021","status":"publish","type":"post","link":"https:\/\/gsfineart.com\/gallery-news\/wow\/1021","title":{"rendered":"WOW! \u2013 Work of the Week \u2013 Daniel Arsham, Future Relic 03"},"content":{"rendered":"<hr \/>\n<hr \/>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1022\" src=\"https:\/\/gsfineart.com\/gallery-news\/wp-content\/uploads\/2017\/11\/Clock-Front-286x300.jpg\" alt=\"\" width=\"286\" height=\"300\" srcset=\"https:\/\/gsfineart.com\/gallery-news\/wp-content\/uploads\/2017\/11\/Clock-Front-286x300.jpg 286w, https:\/\/gsfineart.com\/gallery-news\/wp-content\/uploads\/2017\/11\/Clock-Front-768x807.jpg 768w, https:\/\/gsfineart.com\/gallery-news\/wp-content\/uploads\/2017\/11\/Clock-Front-975x1024.jpg 975w\" sizes=\"(max-width: 286px) 100vw, 286px\" \/><\/p>\n<hr \/>\n<hr \/>\n<blockquote>\n<div>\n<table border=\"0\" cellspacing=\"1\" cellpadding=\"1\" align=\"center\">\n<tbody>\n<tr>\n<td>\n<table border=\"0\" cellspacing=\"1\" cellpadding=\"1\" align=\"center\">\n<tbody>\n<tr>\n<td><em><strong>Daniel Arsham<\/strong><\/em><br \/>\nFuture Relic 03<br \/>\n<em>2015<\/em><br \/>\n<em> Plaster and broken glass<\/em><br \/>\n<em> 5 1\/2 x 5 x 2 1\/2 in.<\/em><br \/>\n<em> Edition of 400<\/em><br \/>\n<em> Signed and numbered on label on box<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p class=\"m_-5427228562339887824p1\" style=\"text-align: justify;\"><em><strong>About the work:<\/strong><\/em><\/p>\n<p>&nbsp;<\/p>\n<p class=\"m_-5427228562339887824p1\" style=\"text-align: justify;\"><em><span class=\"m_-5427228562339887824s1\"><b>Remember the Future<\/b><\/span><\/em><\/p>\n<p class=\"m_-5427228562339887824p1\" style=\"text-align: justify;\"><em><span class=\"m_-5427228562339887824s1\">\u201cThe future is something that contains the everyday \u2013 it contains the now. All the things we see here, in this space, will exist in the future.&#8221;\u00a0Daniel Arsham<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p class=\"m_-5427228562339887824p1\" style=\"text-align: justify;\"><em><span class=\"m_-5427228562339887824s2\">Obsessed with the fact that technological items become obsolete and are continuously replaced at an alarming rate, artist Daniel Arsham has created a complete mythology surrounding his &#8220;Future Relic&#8221; fossils.\u00a0<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p class=\"m_-5427228562339887824p1\" style=\"text-align: justify;\"><em><span class=\"m_-5427228562339887824s2\">It was during a trip to Easter Island that Daniel Arsham came up with the <\/span><span class=\"m_-5427228562339887824s1\">idea of an archaeological excavation applied to the future. <\/span><span class=\"m_-5427228562339887824s2\">His \u201cFuture Relic\u201d series centers around a world many years down the line, in which a major and transformative ecological shift has occurred. <\/span><span class=\"m_-5427228562339887824s1\">\u00a0<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p class=\"m_-5427228562339887824p1\" style=\"text-align: justify;\"><em><span class=\"m_-5427228562339887824s2\">To create his fossils, the artist casts already forgotten pieces of technology to look like fragile artifacts. They are covered with tiny crack formations and have crumbling surfaces, disintegrating from disuse. All nine sculptures of the series are created from technological devices of the twentieth century.\u00a0 Arsham says \u201cthe choice of the objects is very specific, I\u2019m looking for things that are iconic that many people would recognize.\u201d<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p class=\"m_-5427228562339887824p1\" style=\"text-align: justify;\"><em><span class=\"m_-5427228562339887824s2\">The sculptures <\/span><span class=\"m_-5427228562339887824s1\">spurred Arsham to make video work based on the same premise, and thus his Future Relic film series was born. Each launch of a new &#8220;Future Relic&#8221; sculpture is augmented by a short movie. Through his use of film, the artist is able to build and share his complete story of the future surrounding these archeological artifacts. The sci-fi art series has featured many well-known actors such as <\/span><span class=\"m_-5427228562339887824s2\">Mahershala Ali,\u00a0Arturo Castro,\u00a0James Franco,\u00a0Ronald Guttman,\u00a0Matthew Maher, and\u00a0Ethan Suplee<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p class=\"m_-5427228562339887824p3\" style=\"text-align: justify;\"><em><span class=\"m_-5427228562339887824s3\">This week&#8217;s <b>Work of the Week! WOW!<\/b> is Future Relic 03. It is a plaster and broken glass cast Clock. <\/span><span class=\"m_-5427228562339887824s2\">Using a traditional mechanical alarm clock as the design mold, the plaster-clad object is representative of how the things we accrue ultimately perish. This launch, in 2015, was connected to his movie premier of the same name at the TriBeCa Film Festival. The movie was also presented at the 68th Cannes Film Festival in France.\u00a0<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p class=\"m_-5427228562339887824p1\" style=\"text-align: justify;\"><em><span class=\"m_-5427228562339887824s1\">Through this chapter of &#8220;Future Relic 03,&#8221;<\/span><span class=\"m_-5427228562339887824s2\"> we are able to visually understand the future that Arsham has imagined. The world as we know it today does not exist. &#8220;We all moved inland as the water rose&#8221; explains the protagonist Lona Rey. A cratered moon hangs in the sky, but with a sizable rectangular section excavated from its surface. The star of the movie is Juliette Lewis, a young woman searching for her scientist father who apparently went missing in his quest to save our Earth. About half way through the short, at minute <span class=\"aBn\" tabindex=\"0\" data-term=\"goog_1810478703\"><span class=\"aQJ\">8:04<\/span><\/span>, we see Lona as a little girl, up late at night, peering into her father&#8217;s study. On his desk, a brass Bulova mechanical alarm clock reads <span class=\"aBn\" tabindex=\"0\" data-term=\"goog_1810478704\"><span class=\"aQJ\">8:30pm.<\/span><\/span>\u00a0<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p class=\"m_-5427228562339887824p2\" style=\"text-align: justify;\"><em><span class=\"m_-5427228562339887824s1\">In full commitment to the credibility of his &#8220;Future Relic&#8221; universe, Arsham has thoroughly combed through every detail. On the label of the box belonging to the artwork, he has included elements such as the excavation date and the longitude and latitude of the find. Another subtle detail that ties back into the movie is the faded logo on the box which is from the translator device Lona uses to speak with an Owl.\u00a0<\/span><\/em><\/p>\n<table border=\"0\" cellspacing=\"1\" cellpadding=\"1\" align=\"center\">\n<tbody>\n<tr>\n<td><em><img decoding=\"async\" loading=\"lazy\" class=\"CToWUd a6T\" tabindex=\"0\" title=\"Clock Packaging 2\" src=\"https:\/\/ci6.googleusercontent.com\/proxy\/CBqRVFWvn0raSQcQjB7DkzPgUACgOKrasXJWctc9B9DSAQrGAOX0iNhxuj9qY7V99nkjsE6YVI7e8DKEOs3Z5Q1qPr52o4URhiNPIR5l2ruBdp8wd3A0wEI_iNq_3qzxpPYGFFXQxcSiIv3L8P11YPcT1FoanmaUh72Xksb_bF6KsMn3gEvo=s0-d-e1-ft#http:\/\/img-ak.verticalresponse.com\/media\/6\/7\/a\/67aba17f1a\/8b4f37005b\/2424b53295\/library\/Clock%20Packaging%202.jpg\" alt=\"Clock Packaging 2\" width=\"162\" height=\"200\" align=\"none\" border=\"0\" hspace=\"0\" vspace=\"0\" \/><\/em><\/td>\n<td><em>\u00a0<img decoding=\"async\" loading=\"lazy\" class=\"CToWUd a6T\" tabindex=\"0\" title=\"Clock Packaging 1 3\" src=\"https:\/\/ci5.googleusercontent.com\/proxy\/y5PARU3_lYWhIUU-tl6RjKZ-ivcIi-O7S9uv26CyHhAP_q2JZYl_TBVzdsgmmHCuzw-pHSgnqr52aFnupZU7KPRGYSCPD2NMfcyo1QheBX32RmPBl1F3Yz7CnZNnjiPj8uqe6LpJjdI-o9udcHHq5l8K1WVjvuoO7PLViqLfGUrY-fsHlxXgJgq2BA=s0-d-e1-ft#http:\/\/img-ak.verticalresponse.com\/media\/6\/7\/a\/67aba17f1a\/8b4f37005b\/2424b53295\/library\/Clock%20Packaging%201%203.jpg\" alt=\"Clock Packaging 1 3\" width=\"284\" height=\"200\" align=\"none\" border=\"0\" hspace=\"0\" vspace=\"0\" \/><\/em><\/td>\n<td><em><img decoding=\"async\" loading=\"lazy\" class=\"CToWUd\" title=\"Clock Label\" src=\"https:\/\/ci4.googleusercontent.com\/proxy\/zjaQc1hgTr5-lSHeo8NBboQqzKILt_QW71wWyHChUi7b_PWMda5tVe_0e9r3afAbmy1Z9_5xAv3pDUFhrM6r7457-oSBpz7iFsKtNJmhrVlPFYiD_SGFc3aFhLFNnitsjWJN3F9xx4xu4SPkyUPsdI5R10AybzNCoQKF0UmPDwc=s0-d-e1-ft#http:\/\/img-ak.verticalresponse.com\/media\/6\/7\/a\/67aba17f1a\/\/8b4f37005b\/2424b53295\/library\/Clock%20Label.jpg\" alt=\"Clock Label\" width=\"264\" height=\"200\" align=\"none\" border=\"0\" hspace=\"0\" vspace=\"0\" \/><\/em><\/td>\n<\/tr>\n<tr>\n<td><em>\u00a0<\/em><\/td>\n<td><em>\u00a0<\/em><\/td>\n<td><em>\u00a0<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p class=\"m_-5427228562339887824p2\" style=\"text-align: justify;\"><em><span class=\"m_-5427228562339887824s1\">Daniel Arsham is a true multi-disciplinarian. <\/span><span class=\"m_-5427228562339887824s4\">His work spans art, filmmaking, design, architecture and performance, with powerful themes woven into his narrative.<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span class=\"m_-5427228562339887824s2\">A link to the Future Relic 03 movie:\u00a0<\/span><span class=\"m_-5427228562339887824s5\"><a href=\"http:\/\/cts.vresp.com\/c\/?GreggShienbaumFineAr\/8b4f37005b\/b890608bd0\/7684cc454a\/v=jWvnC0mGOGk\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en&amp;q=http:\/\/cts.vresp.com\/c\/?GreggShienbaumFineAr\/8b4f37005b\/b890608bd0\/7684cc454a\/v%3DjWvnC0mGOGk&amp;source=gmail&amp;ust=1511280461722000&amp;usg=AFQjCNEqKvlSTnOFExbB1S1nuwMNgVvhIA\">https:\/\/www.youtube.<wbr \/>com\/watch?v=jWvnC0mGOGk<\/a><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Daniel Arsham Future Relic 03 2015 Plaster and broken glass 5 1\/2 x 5 x 2 1\/2 in. Edition of 400 Signed and numbered on label on box About the work: &nbsp; Remember the Future \u201cThe future is something that &hellip; <a href=\"https:\/\/gsfineart.com\/gallery-news\/wow\/1021\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[291,16,79,14,84,25,248,8,83,9,102,73,56,88,69,222,17,89],"acf":[],"_links":{"self":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts\/1021"}],"collection":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/comments?post=1021"}],"version-history":[{"count":3,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts\/1021\/revisions"}],"predecessor-version":[{"id":1024,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/posts\/1021\/revisions\/1024"}],"wp:attachment":[{"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/media?parent=1021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/categories?post=1021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gsfineart.com\/gallery-news\/wp-json\/wp\/v2\/tags?post=1021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}