WOW! – Work of the Week – Julian Opie – Walking Statuettes



Julian Opie
Walking Statuettes
2017
Series of seven hand-painted statuettes
Various sizes
Edition of 30
Signed and numbered


“I don’t invent or imagine things, just notice and record them.”
Julian Opie is a master in the reductive style. He expertly captures the essence and individuality of each of his subjects with minimal line-work and flat, solid colors. His highly stylized works can be characterized as a blend of Pop Art, Minimalism with contemporary sensibility that capture the world around us precisely.
Employing a variety of media and technologies, Opie distills everyday experiences into concise but evocative renditions, and his clean, thickly outlined figures have made an iconic impression on the contemporary art world.
Opie’s figures are typically drawn from photographs of people walking in the streets. He has admittedly gone through hundreds of pictures of passers-by and picks a select few to draw, which he saves as a palette of characters to use for his creations. According to the artist, each personage gives him surprises and opportunities to create individuality, that he could not invent, such as clothing or hairstyles. He then arranges them back into a crowd, and, like any crowd on the street, the composition is made up of strangers who walk distractedly, never interacting with one another. By making groups of walkers, Opie
composes a street crowd.
This week’s Work of the Week! WOW! is Walking Statuettes.
These 7 Walking Statuettes displayed together form exactly that, a group of walkers forming a “street or sidewalk crowd”
Opie’s inspiration for his statuettes stemmed from his grandfather’s walnut and leather desk, upon which, as a child, items sat at his eye-level – Bakelite lamps and stone pen holders, leather-bound books and glass bottles of ink. These items turned the desk into their own surface. In turn, the Walking Statuettes by Opie, turn their surface into a pavement, such as a busy road populated with people checking their phones and shifting their balance and bags. His creations are models, stand-ins, that can be placed and played with.
Julian Opie observes people closely, and like a caricaturist, he has a formidable eye for foibles idiosyncrasies and character. The paradox is that he renders these nuances in a flattened, abstract style that seems at first glance to be uniform and cold, yet, each statuette seems individual and real.
The entire series of resin statuettes are hand-painted front and back. Each statuette stands approximately 14 -16 inches in height, and 5 – 8 inches wide individually. Each figurine features the artist’s signature and edition number on the bottom of each figurine. Arrange them anyway you like to create your own street scene.
Drawing influence from classical portraiture, as well as public life in today’s modern society, the artist connects the clean visual language of modern life, with the fundamentals of art history. His themes have been described as “engagement with art history, use of new technology, obsession with the human body.”

WOW – Work of the Week – OPIE, Professional Series I



Professionals 2

Julian Opie
Professional Series I
2014
Inkjet on lenticular, presented in aluminum framed specified by the artist
Edition of 50
signed and numbered on label on verso

Sizes are varied, specified below:
Professional Series I – Banker
34 3/8 x 24 in.
Professional Series I – Detective
33 1/2 x 22 in.
Professional Series I – Lawyer
32 7/8 x 19 in.
Professional Series I – Nurse
32 3/8 x 20 1/4 in.
Professional Series I – Student
32 3/4 x 20 1/2 in.

About the work:

Julian Opie is a master in the reductive style in that he still manages to capture the essence and individuality of each of his subjects. His works depict the world around us sharply, truly and timelessly

The Professional Series 1, is no exception, Julian Opie observes people closely, and like a caricaturist, he has a formidable eye for foibles, idiosyncrasies and character. The paradox is that he renders these nuances in a flattened, abstract style that seems at first glance to be uniform and cold. 

In his Professional Series 1, people are portrayed in the classic Opie style, with bold black outlines, colorful clothes and no facial details at all. And yet, each professional seems individual and real. 

Professional Series 1 is printed on lenticular panels, in which a sequence of drawings are combined on tiny lenses so that as you move, you see them move. Stand still and the picture is still. Move and it is animated. These animated lenticular drawings richly analyze the nature of movement. 

WOW – Work Of the Week – Julian Opie “Walking In The Rain, Seoul”

Walking in the Rain Seoul

JULIAN OPIE
Walking In The Rain, Seoul
2015
Screenprint on Somerset Satin tub sized 410 gsm paper 
59 x 86 3/8 in.
Edition of 50

Signed and numbered on label on verso

About This Work:

Julian Opie was born in London, where he currently lives and works.
He emerged in the 1980s as part of the so-called New British Sculpture movement.
This was an art movement characterized by some features that are recognizable in Opie’s work, such us a mix of pop and kitsch aesthetics, urban environments and society as preferred subject, or a certain play of color and humor.
He is now a well-established artist, exhibited all over the world.
His walking silhouettes are definitely among his most famous and recognizable subjects.

Movement has always been central to Opie’s full body of work, whether it is movement around and through the artworks or the movement of the artworks themselves.
A walking figure suggests life, power and purpose. The person is not posed for, or even aware of the viewer. In profile the striding human body is dynamic, and such a view is available on any street corner in the city.

In 2015 Julian Opie was invited to participate in a show in South Korea, when he created Walking In The Rain, Seoul.
With the studio doors open, he first took photos of passers-by as soon as it started raining, then he gathered the images together to capture this moment.
This is a very interesting statement by the artist himself, that explains clearly what was going on in Opie’s mind when he was creating this work in Seoul:

With the umbrellas included, the images became large and complicated with a layering of different movement from top to bottom. This was probably the most complicated picture I had managed to compose so far. The rainy season was over and when the rain came it was light and the weather was warm. The resulting image is very personal and unique in feel, mood and color. I usually make paintings in two or more sizes […] but I could not imagine such a complex image being small so instead of a smaller size I decided to make an editioned silkscreen print on paper“. 

The humongous size and the strong color palette create a Pop allure, while the bold black contour lines make each element of the composition stand out.

Depicting human figures has always been a challenge for artists. However, Opie managed to find a new, original, personal way to represent people. His extremely recognizable style have gained him a place among the most famous contemporary artists of our time.

WOW! – Work of the Week 6/22/15

Julian Opie, Walking in the Rain, London

Julian Opie       Walking in the Rain, London       2015

Julian Opie Walking in the Rain, London 2015

Julian Opie
Walking in the Rain, London
2015
Screenprint on Somerset Satin tub sized 410 gsm paper
59 x 86 3/8 in.
Edition of 50
This piece is signed and numbered.

About This Work:

In his newer works, like Walking in the Rain, London, we start to see more complexity in Opie’s figures when compared to his very minimal and simplistic figures of the past.  In his newest works, Walking in the Rain, London and Walking in the Rain, Seoul Opie is introducing elements of consumerism, technology and 21st century issues.

This can be seen by his use of brand names in both works. For Walking in the Rain, London he shows us a bag with Tate Museum’s logo and a Tesco shopping bag, which is a supermarket in the UK, as well as people listening to their ipods and smart phones.

While his figures are still void of facial features, Opie brings our attention to the fact that the clothes and shoes we wear, the places we patron and the gadgets we use in a way define us as individuals, as a city and as a society. This work in a sense is anthropological as it speaks to the time and the current state of how we interact and live by capturing different people going different directions and all in the same place.


About Julian Opie:

Julian Opie is a visual artist, and one of the New British Sculpture movement.

He is one of the most significant artists of his generation whose artistic preoccupation has investigated the idea of representation and the means by which images are perceived and understood. Throughout his practice, Opie has developed his own reductive formal language which seeks to reflect, not reality itself, but rather the way in which reality is represented: his distinctive language of discipline and formal consistency which is employed in his current portrait and landscape work.

He says, he sets out to strip things down, the purpose being to reflect and play on not just other art, but on the artifice that he thinks frames contemporary experience: how what is seemingly natural in human behavior is made up of learned performance codes, how artistic conventions constrain artistic practice.

In his portraiture, the human face is sometimes characterized by black outlines with flat areas of color, and minimalized detail, to the extent that an eye can become just the black circle of the pupil, and sometimes a head is represented by a circle with a space where the neck would be, Opie tries to portray someone’s personality in as little detail as possible.

Opie uses computers in art for other works. His Imagine you are… series, demonstrated how activities such as driving, walking and climbing could be represented by simple reductions. In addition, Opie uses sculpture and light installations to present items of everyday life.

Opie themes: engagement with art history, use of new technology, obsession with the human body.  Opie loves to work with one idea across different media; painting, granite, silkscreen and LED animation.