Future Relic 03
Plaster and broken glass
5 1/2 x 5 x 2 1/2 in.
Edition of 400
Signed and numbered on label on box
About the work:
Remember the Future
“The future is something that contains the everyday – it contains the now. All the things we see here, in this space, will exist in the future.” Daniel Arsham
Obsessed with the fact that technological items become obsolete and are continuously replaced at an alarming rate, artist Daniel Arsham has created a complete mythology surrounding his “Future Relic” fossils.
It was during a trip to Easter Island that Daniel Arsham came up with the idea of an archaeological excavation applied to the future. His “Future Relic” series centers around a world many years down the line, in which a major and transformative ecological shift has occurred.
To create his fossils, the artist casts already forgotten pieces of technology to look like fragile artifacts. They are covered with tiny crack formations and have crumbling surfaces, disintegrating from disuse. All nine sculptures of the series are created from technological devices of the twentieth century. Arsham says “the choice of the objects is very specific, I’m looking for things that are iconic that many people would recognize.”
The sculptures spurred Arsham to make video work based on the same premise, and thus his Future Relic film series was born. Each launch of a new “Future Relic” sculpture is augmented by a short movie. Through his use of film, the artist is able to build and share his complete story of the future surrounding these archeological artifacts. The sci-fi art series has featured many well-known actors such as Mahershala Ali, Arturo Castro, James Franco, Ronald Guttman, Matthew Maher, and Ethan Suplee
This week’s Work of the Week! WOW! is Future Relic 03. It is a plaster and broken glass cast Clock. Using a traditional mechanical alarm clock as the design mold, the plaster-clad object is representative of how the things we accrue ultimately perish. This launch, in 2015, was connected to his movie premier of the same name at the TriBeCa Film Festival. The movie was also presented at the 68th Cannes Film Festival in France.
Through this chapter of “Future Relic 03,” we are able to visually understand the future that Arsham has imagined. The world as we know it today does not exist. “We all moved inland as the water rose” explains the protagonist Lona Rey. A cratered moon hangs in the sky, but with a sizable rectangular section excavated from its surface. The star of the movie is Juliette Lewis, a young woman searching for her scientist father who apparently went missing in his quest to save our Earth. About half way through the short, at minute 8:04, we see Lona as a little girl, up late at night, peering into her father’s study. On his desk, a brass Bulova mechanical alarm clock reads 8:30pm.
In full commitment to the credibility of his “Future Relic” universe, Arsham has thoroughly combed through every detail. On the label of the box belonging to the artwork, he has included elements such as the excavation date and the longitude and latitude of the find. Another subtle detail that ties back into the movie is the faded logo on the box which is from the translator device Lona uses to speak with an Owl.
Daniel Arsham is a true multi-disciplinarian. His work spans art, filmmaking, design, architecture and performance, with powerful themes woven into his narrative.
A link to the Future Relic 03 movie: https://www.youtube.